Volume 4

Issue 1 (2011)

Editorial

Ian Brown  and Ksenija Horvat  

Peer Reviewed Articles

“Listen I will tell the story to you / As I have been told it”: Memory and identity in the plays of Nicola McCartney  

Kathy McKean  

Linguistic motivation, dramatic language and Glasgow-inflected Scots in Edwin Morgan’s version of Cyrano de Bergerac (1992)  

Bill Findlay

Ewan MacColl, “the brilliant young Scots dramatist”: Regional myth-making and Theatre Workshop  

Claire Warden

“Anywhere but Scotland?” Transnationalism and New Scottish Cinema

Simon Brown  

Forum Articles

CULTURAL CENTRALITY AND DOMINANCE: THE CREATIVE WRITER’S VIEW – CONVERSATIONS BETWEEN SCOTTISH POET/PLAYWRIGHTS AND IAN BROWN

Book Review

David Martin-Jones, Scotland: Global Cinema, Genres Modes and Identities

Richard Butt

Issue 2 2011

Editorial Vol 4 Issue 2

Ian Brown  and Ksenija Horvat  

Peer Reviewed Articles Vol 4 Issue 2

Playwrights’ workshops of the Scottish Society of Playwrights, the Eugene O’Neill Theater Center, and their long term impact in the UK  

Ian Brown

Rhizome and fructification: Matthew Zajac’s The Tailor of Inverness (2008)

Danièle Berton

The media and literature in contemporary Scotland: challenges and opportunities

David Hutchison

Forum Articles

On the Art of ‘Making Movies Happen’: An Interview with Andrea Calderwood  

Christopher Meir