Vol 3

Issue 5 (2002)

Editorial

Ian Brown

Peer Reviewed Articles

Displacemeants – the Theatrical Art of John Byrne

Cairns Craig

History, Ideology and Performance in Ian Brown’s Mary and A Great Reckonin’

Steve Cramer

Handel’s Ariostan Heroines: With Particular Reference to Ginevra, Principessa di Scozia

David Kimbell

‘Is it not possible to have a Poem made out of Theatre?’ – An assessment of the dramas and dramaturgy of Joan Ure

Jan McDonald

Forum Articles

Plurality of Scottish Theatre

Mark Fisher

 

Issue 6 (2002)

Editorial

Ian Brown

Peer Reviewed Articles

John McGrath and the Dialogues of Television Studies

Jonathan Bignell

Class, Gender and the Multinationals: A Year in the Life and Work of 7:84 England

Nadine Holdsworth

Blood Red Roses: John McGrath and Lukacsian Realism

Stephen Lacey

The Cheviot, the Stag and the Black, Black Oil: Political Theatre and the Case Against Television Naturalism

Robin Nelson

Border Warranty: John McGrath and Scotland

Randall Stevenson

Three One-Woman Epics: The Political Performer

Olga Taxidou

Forum Articles

Extracts from John McGrath in Conversation with Colin Mortimer

Colin Mortimer